<html><head><meta http-equiv="Content-Type" content="text/html charset=iso-8859-1"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Would one consider Ansel Adams to have faked it with his considerable dodging of his monochrome prints to bring out details that the eye can see and that film has a harder time rendering?<div><br><div>I do have a friend who does single exposure night scenes on slides that are very close to appearing as this NASA photo does. He uses moonlight and long exposures. One difference would be his photos have long star trails.</div><div><br></div><div>Greg Walljasper</div><div><br></div><div><br><div><div><div><div>On Oct 19, 2012, at 10:28 AM, "Janet White | SnowMoon, LLC" <<a href="mailto:janet@snowmoon.us">janet@snowmoon.us</a>> wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite">
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This photo doesn't look so much fake to me as simply an HDR version.
I searched for the photographer and he talks about this particular
photo on his blog:<br>
<a class="moz-txt-link-freetext" href="http://roberthowell.blogspot.com/2012/10/photographing-aurora-borealis-and.html">http://roberthowell.blogspot.com/2012/10/photographing-aurora-borealis-and.html</a><br>
<br>
It's an HDR (high dynamic range) photo - which combines two or more
exposures. You are right when you say it can't be done with one
shot, but most astrophotographers do this now because that's what
sells - it more realistically captures what the eye can see (and
with some aurora photos, more than we can see - is that 'faking'
it?). However, the 'painted' edges happen with certain techniques
and software. Some people like HDR, some find it jarring.<br>
<br>
Personally, I don't like the painterly look, so go for a more
realistic version, but that's up to each photographer's taste.
Robert has quite a few in his galleries that show that strong HDR
look. <br>
<br>
Personally, I use Photomatix to produce HDR images<i> if the photos
need it</i> to bring it to more detail of what I recall the scene
looking like - so the sky doesn't fade to black, but shows more of
the blue we see and yet retain the visibility in the white in the
photo. However, for geysers or anything with lots of movement, they
have to be one image processed at different exposures and then
combined into one final image. Is that 'fake' or just using
technology to bring the scene details out? For pools, I have shot
three (or six) exposure bracketed photos and used the software to
combine them. Jewelry/product photographers combine depth of field
on macro shots which some might consider fake, but others just look
at it as we would see the object in person.<br>
<br>
Here are a few that I've done as HDR photos:<br>
<a href="http://snowmoonphotography.photoshelter.com/gallery-image/Yellowstone-Geyser-and-Hot-Spring-Photos/G0000MrwDNekuUnU/I0000600iYMit._8/C000042K5a2lOOVc">Abyss
Pool</a> - three photos combined with software<br>
<a href="http://snowmoonphotography.photoshelter.com/gallery-image/Yellowstone-Buildings/G000004vBOzLObxk/I0000J6XQVuObTw8/C000042K5a2lOOVc">Old
Faithful Inn</a> - two photos combined with software - on this one
I also evened out the darkness on the top corners with the burning
tool on one of them.<br>
<a href="http://snowmoonphotography.photoshelter.com/gallery-image/Yellowstone-Geyser-and-Hot-Spring-Photos/G0000MrwDNekuUnU/I0000p2RNqSQvSJs/C000042K5a2lOOVc">Palette
Spring</a> - one photo processed three different ways and then
combined (via the software)<br>
<br>
If it's not your thing, that's fine, but is it really 'fake' if it's
the same night, same time, just different exposures combined? Maybe
in your opinion, yes. More detail is better than blown highlights or
black shadows in my opinion. I happen to like this photo of his.<br>
<br>
Janet White<br>
SnowMoon, LLC<br>
SnowMoon Photography .com<br>
<br>
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